Leseprobe
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Free Verse
Charles O. Hartman
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Belletristik / Lyrik, Dramatik
Beschreibung
To make sense of free verse" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry.
Originally published in 1981.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Kundenbewertungen
Punctuation, Ezra Pound, Foot (prosody), Scansion, God Knows (novel), Oxymoron, Reader-response criticism, Irony, Etymology, Ambiguity, Metonymy, Poetry, Walter Pater, Digression, Objective correlative, Samson Agonistes, Pentameter, Romanticism, Karl Shapiro, Poetic Closure, Charles Olson, Vers libre, Rhyme, Robert Bridges, Modernism, Rhetorical question, Denise Levertov, Affective fallacy, English poetry, Obfuscation, Anaphora (rhetoric), John Ashbery, Pun, The New Poetry, John Livingston Lowes, Modernist poetry, Donald Davie, Heroic couplet, Concrete poetry, Typography, Parody, Anacrusis, Assonance, Hyperbole, Imagism, John Malcolm Brinnin, Accentual verse, Caesura, Chiasmus, Iambic pentameter, Hugh Selwyn Mauberley, Stanza, Periphrasis, Prose, Blank verse, Barbara Herrnstein Smith, Hexameter, Vagueness, In Parenthesis, Wallace Stevens, Ford Madox Ford, Antithesis, Ubi sunt, Free verse, Literature, Richard Aldington, W. H. Auden, Epigram, Dissociation of sensibility, Diction