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The Odyssey of Style in Ulysses

Karen Lawrence

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Princeton University Press img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

In this study Karen Lawrence presents Joyce's Ulysses as it evolves through radical changes of style. She traces the abandonment of a narrative norm for a series of rhetorical masks, regarded as conscious aesthetic experiments, and considers the theoretical implication of this process, for both the writing and reading of novels.

Originally published in 1982.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Essay, Simile, Chiasmus, Self-image, Marcel Duchamp, Rhyme, Obfuscation, Allegory, Grand style (rhetoric), Sequel, Flash fiction, Rhetoric, Pyrrhonism, Free indirect speech, Diction, François Rabelais, Finnegans Wake, Theme (narrative), Metonymy, Homeric simile, Excursus, Parody, Novel, Romanticism, Granta, Literariness, Stream of consciousness (narrative mode), Epithet, Narrative, Mock-heroic, Suggestion, Genre, Byronic hero, Jacques Derrida, Critical Essays (Orwell), J. Hillis Miller, Literature, Prose, Asyndeton, Eumaeus, Allusion, Leopold Bloom, Narration, Antithesis, Eloquence, Irony, Anthony Burgess, Autobiographical novel, Invective, Melodrama, Richard Ellmann, Roland Barthes, Stephen Dedalus, Metaphor, Søren Kierkegaard, Assonance, James Joyce, Figure of speech, Writing, Archaism, Gradgrind, Sentimentality, Synecdoche, Subtitle (captioning), Pun, Circumlocution, Dubliners, Fiction, Namby-pamby, Jacques Barzun