Leseprobe
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Discovering the Comic
George McFadden
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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews
Beschreibung
Arguing that the comic is a quality of literary works of art in other forms as well as comedy, George McFadden finds its essence in the maintenance of some literary feature--a situation, a character--as itself despite threats to alter it.
Originally published in 1982.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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John Hawkes (novelist), Anguish, Genre, Søren Kierkegaard, Busybody, François Rabelais, Self-interest, Criticism, Writing, Plautus, Arthur Schopenhauer, Comedy, Sexual Desire (book), Jacques Derrida, Apollonian and Dionysian, Aphorism, Aristotle, Edmund Husserl, Philosophical language, Satire, Narcissism, Old Comedy, The Realist, Ethos, Monomania, Thus Spoke Zarathustra, Antithesis, Obscenity, Sick comedy, The Man of Mode, Sentimentality, Thought, Farce, Meanness, Ancient Greek comedy, Cynthia's Revels, Humour, Laughter, Aeschylus, Tragedy, Libido, Miasma (Greek mythology), Comic book, Fiction, Reality principle, Henri Bergson, Literature, Reality, Absurdity, Last man, Terence, Tragicomedy, Joke, Hubris, Political satire, Irony, Poetaster, Bildungsroman, Parody, Superiority (short story), Roland Barthes, Consciousness, Metonymy, Essay, Good and evil, Aristophanes, Ridicule, Occam's razor, Romanticism, Utilitarianism