Leseprobe
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Choreia
William Mullen
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
This study reveals that the three metrical units into which most choral odes were divided refer to the disposition in space of the dancers as they recited, with climactic moments of the poetry actualized through the attitudes of the dancers and with certain themes reserved for particular sections of the poetic form.
Originally published in 1983.
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In Parenthesis, Tantalus, Sophocles, Encomium, The Armed Man, Art for art's sake, Aethiopis, Telamon, Dithyramb, Love at first sight, Poetry, The Birth of Tragedy, Bacchylides, Epic poetry, Sacred king, Hubris, Stasimon, Semele, Epic Cycle, Consummation, Superiority (short story), Greek mythology, Hexameter, Thamyris, Etymology, Simile, Phidias, Palinode, The Summer Solstice, King of the Gods, Olympos (novel), Melanippides, Peleus, Pylades, Ancient Greek comedy, Epode, Pelops, Aegina, Aristophanes, Parody, Medism, Ixion, Antistrophe, Castor and Pollux, Trojan War, Flattery, Apollo, Genre, Choreia, Pindar, Poetic diction, Strophe, Aeschylus, Neoptolemus, Conceit, Porphyrion, Terpander, Geryon, Pelias, Muse, Nine Lyric Poets, The Virtuoso, Homer, Mimesis, Sarpedon, Kratos (mythology), The Persians, Homeric Hymns, Charites, Narrative