Joyce and Dante
Mary Trackett Reynolds
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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews
Beschreibung
Mary Reynolds studies the rhetorical and linguistic maneuvers by which Joyce related his work to Dante's and shows how Joyce created in his own fiction a Dantean allegory of art. Dr. Reynolds argues that Joyce read Dante as a poet rather than as a Catholic; that Joyce was interested in Dante's criticism of society and, above all, in his great powers of innovation.
Originally published in 1981.
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Scholasticism, La Vita Nuova, William Blake, Samuel Butler (novelist), Extended metaphor, Richard Ellmann, De Monarchia, The Faerie Queene, Literature, Sonnet sequence, Simile, Mario Praz, Narrative, V., Stephen Dedalus, Molly Bloom, Arnaut Daniel, Virgil, Alessandro Manzoni, John Addington Symonds, Dubliners, Writing, Tragedy, Courtly love, The Greek Myths, Brunetto Latini, W. B. Yeats, Malacoda, Ernest Renan, Ezra Pound, Lustration, Don Giovanni, Aesthetic Theory, Allusion, Convivio, Jacques Maritain, Villanelle, Predicament, Poetry, Aeneid, Fiction, Gabriele D'Annunzio, Finnegans Wake, Purgatorio, Hart Crane, Francis Bacon (artist), De vulgari eloquentia, Romanticism, Leopold Bloom, William Shakespeare, Erudition, Trivium, Epigram, Divine Comedy, Sicilian School, A Portrait of the Artist as a Young Man, Dante Alighieri, Antonio, Inferno (Dante), In Parenthesis, Cacciaguida, Buck Mulligan, M. H. Abrams, Aestheticism, Stephen Hero, Parody, Guido Cavalcanti, Novel, Boylan, Palinode