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The Transparent Lyric

Reading and Meaning in the Poetry of Stevens and Williams

David L. Walker

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Princeton University Press img Link Publisher

Belletristik / Lyrik, Dramatik

Beschreibung

Through close readings of poems from the entire range of both poets' careers, the author reveals the pivotal role of Stevens and Williams in the shift from modernism to postmodernism.

Originally published in 1984.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Literary theory, Homeric simile, Narrative, Objective correlative, Automatic writing, Self-parody, Superiority (short story), Dramatic monologue, Archaism, Philosophy of mind, Cubism, Egotism, Modernism, Deconstruction, Simile, Impermanence, Irony, Imagism, Central conceit, Surrealism, Equanimity, Parody, Tender Buttons (book), Aphorism, New Criticism, Erudition, Novel, Prose, Ford Madox Ford, John Ashbery, Charles Demuth, Mark Strand, J. Hillis Miller, Vorticism, Negative capability, Literature, Mimesis, Romanticism, Gluttony, Narrative poetry, Fiction, Satire, God Knows (novel), V., Charles Simic, Reader-response criticism, Aesthetic distance, Consciousness, Paul Gauguin, Seriousness, Metaphor, Pathetic fallacy, Conflation, The Realist, Couplet, Randall Jarrell, Deadpan, Solipsism, Jacques Derrida, Fictional universe, Nonsense, Gradgrind, Wallace Stevens, William Carlos Williams, Joke, The Philosopher, Tragic hero, Postmodernism, Poetry, Evocation