The Idea of the Actor

Luigi Pirandello, Method acting, Sensibility, Actor, Excursus, Subtext, All the world's a stage, Effeminacy, Charlatan, Character (arts), Actors Studio, Playwright, Vsevolod Meyerhold, Role-playing, Dion Boucicault, Max Beerbohm, Rake (character), Rosmersholm, Prince Hal, Acting, Jeremy Collier, Narrative, Soliloquy, Theatre, The Theatre and its Double, Self-love, Visual effects, Wallace Shawn, William Shakespeare, David Mamet, Dramaturgy, Peter Quince, The Man of Feeling, Histriomastix, Drama, Tom Stoppard, Creative work, Criticism, Antonin Artaud, Bertolt Brecht, Laertes (Hamlet), Paradox of the Actor, Feste, In Town (musical), Stage theory, Volpone, Parody, Polonius, The Actors, Theatricality, Contrapasso, Epic theatre, Harold Pinter, Lothario, Play (theatre), Villain, Protagonist, Roderigo, Francis Fergusson, Satire, What a piece of work is a man, Twelfth Night, Irony, Shakespearean comedy, Malvolio, Tony Lumpkin, Title role, King Lear, Writer, Romanticism