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Michelangelo's Poetry

Fury of Form

Glauco Cambon

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Belletristik / Lyrik, Dramatik

Beschreibung

Glauco Cambon asserts the independent significance of Michelangelo's poetry vis-a-vis his overwhelming contribution to the visual arts, while also investigating the formal and thematic relations of his writing to his sculpture and paintings.

Originally published in 1986.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Pale Fire, Testimonial, Sophistication, Cavalieri, Sonnet, Francis Quarles, Flattery, Marinism, Michelangelo, Elizabeth Jennings, Mannerism, Writing, François Rabelais, De amore (Andreas Capellanus), De Profundis (letter), Synecdoche, Physiognomy, Internal rhyme, Petrarch, Petrarchan sonnet, Sandro Botticelli, Erudition, Aphorism, Obsessive love, La Vita Nuova, Sebastiano del Piombo, Dante Alighieri, Low comedy, Sibyl, Le Rime, Parody, John Addington Symonds, Seriousness, Ottava rima, Metempsychosis, Giordano Bruno, Disenchantment, Caesura, Unrequited love, Poetry, Another Woman, Poliziano, Counter-Reformation, Superiority (short story), El Greco, New Thought, Bembo, Rococo, Arnaut Daniel, Amedeo, Francesco Berni, Dramatic monologue, Hyperbole, Marsilio Ficino, Pope Julius II, Reginald Pole, Pun, Vittoria Colonna, Parmigianino, Abjection, Daniele da Volterra, Dolce Stil Novo, X. J. Kennedy, Mario Praz, Pietro Aretino, Pope Alexander VI, Assonance, Inception, Satire, Asceticism