The Imposition of Form
Claudia J. Brodsky
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Geisteswissenschaften, Kunst, Musik / Philosophie
Beschreibung
Claudia Brodsky skillfully combines close readings of narrative works by Goethe, Austen, Balzac, Stendhal, Melville, and Proust with a detailed analysis of the relation between Kant's critical epistemology and narrative theory.
Originally published in 1987.
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Kundenbewertungen
Critique of Pure Reason, Edward Ferrars, Anthropomorphism, Dichotomy, Binary opposition, Parody, Symbole, Critique, Excursus, Narratology, Quotation mark, Literature, Novel, Figure of speech, Monomania, Metafiction, Noumenon, Consummation, Referent, Absurdity, Ridicule, Allegory, Philosophy, Falsity, Intentionality, New Narrative, Palinode, Formal distinction, Theory, Disposition, Writing, Fiction, Metaphor, Dialectic, Inductive reasoning, Melodrama, Narrative logic, Ambiguity, Narrative, Plot device, Criticism, Digression, Qualia, Volumnia, Consciousness, Theory of Forms, Negative capability, Fallacy, Bildungsroman, Narration, Pretext, Critical philosophy, Antithesis, Transformational grammar, Antinomy, The Postmodern Condition, Semantics, Illusions perdues, Irony, Concept, A priori and a posteriori, Subtext, Truism, Anguish, Eclecticism, New Criticism, Simplicissimus, Thought, Arrival and Departure, Phenomenon