Leseprobe
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The Contemplative Poetry of Gerard Manley Hopkins
Maria R. Lichtmann
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Belletristik / Lyrik, Dramatik
Beschreibung
In 1989, the centenary of his death, Gerard Manley Hopkins continues to provoke fundamental questions among scholars: what major poetic strategy informs his work and how did his reflections on the nature of poetry affect his writing? While form meant a great deal to Hopkins, it was never mere form. Maria Lichtmann demonstrates that the poet, a student of Scripture all his life, adopted Scripture's predominant form--parallelism--as his own major poetic strategy. Hopkins saw that parallelism struck deep into the heart and soul, tapping into unconscious rhythms and bringing about a healing response that he identified as contemplation. Parallelism was to him the perfect statement of the integrity of outward form and inner meaning.
Other critics have seen the parallelism in Hopkins's poems only on the auditory level of alliterations and assonances. Lichtmann, however, builds on the views held by Hopkins himself, who spoke of a parallelism of words and of thought engendered by the parallelism of sound. She distinguishes the integrating Parmenidean parallelisms of resemblance from the disintegrating Heraclitean parallelisms of antithesis. The tension between Parmenidean unity and Heraclitean variety is resolved only in the wordless communion of contemplation. This emphasis on contemplation offers a corrective to the overly emphasized Ignatian interpretation of Hopkins's poetry as meditative poetry. The book also makes clear that Hopkins's preference for contemplation sharply differentiates him from his Romantic predecessors as well as from the structuralists who now claim him.
Originally published in 1989.
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Poetic diction, God, John Keats, Law and Gospel, Romanticism, Deism, Soliloquy, Writing, Literary criticism, Kenosis, Kathleen Raine, Platonism, Theology, Samuel Taylor Coleridge, Prose, Carrion Comfort, Critical Essays (Orwell), Creative Mythology, Antithesis, Lyrical Ballads, Meister Eckhart, Poetry, Enlightenment (spiritual), Introspection, Light poetry, Walter Kaufmann (philosopher), W. B. Yeats, Mysticism, Biblical criticism, Søren Kierkegaard, Poetic tradition, God Knows (novel), Inscape and instress, Internal rhyme, Immanence, Biblical poetry, Deconstruction, Geoffrey Hartman, Jacques Maritain, Spiritual autobiography, The Dissertation, Preface to the Lyrical Ballads, Shakespeare's sonnets, Theodicy, Platonic realism, Spiritual crisis, Poetry Project, Coventry Patmore, Lyric poetry, Theological aesthetics, Self-healing, English poetry, Friedrich Nietzsche, Nominalism, Transubstantiation, Examination of conscience, Ibid (short story), Literature, Walter Pater, Solipsism, Philosophy, Spirituality, Art for art's sake, Golden mean (philosophy), Metre (poetry), Literary theory, Vocation (poem), Contemplations (poem), Narrative poetry, Salvation History