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British Genres

Cinema and Society, 1930-1960

Marcia Landy

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Kunst

Beschreibung

In this unprecedented survey of British cinema from the 1930s to the New Wave of the 1960s, Marcia Landy explores how cinematic representation and social history converge. Landy focuses on the genre film, a product of British mass culture often dismissed by critics as "unrealistic," showing that in England such cinema subtly dramatized unresolved cultural conflicts and was, in fact, more popular than critics have claimed. Her discussion covers hundreds of works--including historical films, films of empire, war films, melodrama, comedy, science-fiction, horror, and social problem films--and reveals their relation to changing attitudes toward class, race, national identity, sexuality, and gender. Landy begins by describing the status and value of genre theory, then provides a history of British film production that illuminates the politics and personalities connected with the major studios. In vivid accounts of the films within each genre, she analyzes styles, codes, and conventions to show how the films negotiate history, fantasy, and lived experience. Throughout Landy creates a dynamic sense of genre and of how the genres shape, not merely reflect, cultural conflicts.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Impossibility, Ridicule, Love and Death, Young Mr. Lincoln, Black Narcissus, Clarissa, His Family, The Next of Kin, Horror film, Edgar Wallace, Ideology, Imperialism, Hammer Film Productions, Dirk Bogarde, Old Bones of the River, Patricia Roc, Gert and Daisy, Deborah Kerr, Dennis Price, Romeo and Juliet, Struggle (TV series), Puritans, Two Women, Censorship, The Other Hand, Woman's film, The Bad Lord Byron, Kathleen Harrison, Narcissism, Victoria the Great, Film noir, Superiority (short story), Culture industry, Charles Laughton, Psychoanalysis, David Tomlinson (actor), Private Property, Alec Guinness, The Life and Death of Colonel Blimp, Miles Malleson, Melodrama, Genre, The Weak and the Wicked, Narrative, Racism, Margaret Rutherford, Carol Reed, Ryan's Daughter, Blake Edwards, Satire, Hartley Power, Malcolm Muggeridge, William Holden, Nazism, James Whale, The October Man, Social problem film, Beveridge Report, The Young Mr Pitt, "Pimpernel" Smith, The Wicked Lady, War film, Diana Dors, Horror fiction, The Doctor's Dilemma (play), Magic square, Prostitution, Ealing Studios, White feather, Another Woman