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Blackout

Reinventing Women for Wartime British Cinema

Antonia Caroline Lant

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

The most universal civilian privation in World War II Britain, the blackout possessed many symbolic meanings. Among its complicated implications for filmmakers was a stigmatization of film spectacle--including the display of "Hollywood women," whose extravagant appearance connoted at best unpatriotic wastefulness and at worst collaboration with the enemy. Exploring the wartime breakdown of conventional gender roles on the screen and in the audience, Antonia Lant demonstrates that many British films of the period signaled their national cinematic identity by diverging from the notion of the Hollywood star, the mainstay of commercial American motion pictures, replacing her with a deglamourized, mobilized heroine. Nevertheless, the war machine demanded that British films continue to celebrate stable and reassuring gender roles. Contradictions abounded, both within film narratives and between narrative and "real life." Analyzing films of all the major wartime studios, the author scrutinizes the efforts of realist and melodramatic texts to confront women's wartime experiences, including conscription. By combining study of contemporary posters, advertisements, propaganda notices, and cartoons with consideration of recent feminist theoretical work on the cinema, spectatorship, and history, she has produced the first book to examine the relationships among gender, cinema, and nationality as they are affected by the stresses of war.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Deborah Kerr, Keep Your Powder Dry, Nationality, Picture Post, Manny Farber, The Gentle Sex, The Foreman Went to France, National cinema, Powell and Pressburger, Call It a Day, Muckraker, The Way Ahead, Roger Manvell, Since You Went Away, Voice-over, A Canterbury Tale, Utility clothing, Woman's film, Warfare, Battle of Britain, Predicament, Aneurin Bevan, Piccadilly Incident, I See a Dark Stranger, Narrative, Perfect Strangers (TV series), Marlene Dietrich, The Life and Death of Colonel Blimp, Adult, Footage, Melodrama, Utility furniture, Chapter 1, Two Women, Ealing Studios, Robert De Niro, For the Boys, Cathy, Carol Reed, I Live in Grosvenor Square, World War II, Film industry, Mildred Pierce (miniseries), The Lamp Still Burns, Millions Like Us, Dilys Powell, Way Out (TV series), British Film Institute, Brief Encounter, Jack Zipes, The Great Dictator, Femininity, "Pimpernel" Smith, Tender Comrade, Waitress (musical), The Way to the Stars, London Can Take It!, Superiority (short story), Filmmaking, The Man in Grey, Conrad Veidt, The Realist, Army Girl, Tonight and Every Night, Another Woman, Mildred Pierce, National identity, Stella Dallas (radio), The Marriage of Maria Braun, The Wicked Lady