Aestheticism and Deconstruction
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Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Considered an exemplar of "Art-for-Art's Sake" in Victorian art and literature, Walter Pater (1839-1894) was co-opted as a standard bearer for the cult of hedonism by Oscar Wilde, and this version of aestheticism has since been used to attack deconstruction. Here Jonathan Loesberg boldly uses Pater's important work on society and culture, Studies in the History of the Renaissance (1873), to argue that the habitual dismissal of deconstruction as "aestheticist" fails to recognize the genuine philosophic point and political engagement within aestheticism. Reading Jacques Derrida and Paul de Man in light of Pater's Renaissance, Loesberg begins by accepting the charge that deconstruction is "aestheticist." He goes on to show, however, that aestheticism and modern deconstruction both produce philosophical knowledge and political effect through persistent self-questioning or "self-resistance" and in the internal critique and destabilization of hegemonic truths. Throughout Loesberg reinterprets Pater and reexamines the contributions of deconstruction in relation to the apparent theoretical shift away from deconstruction and toward new historicism.
Originally published in 1991.
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Aesthetics, Romanticism, Agnosticism, Aesthetic interpretation, Historicism, Intentionality, Self-censorship, Pride, Raymond Geuss, The Concept of Mind, Quietism (philosophy), Categorical imperative, Walter Pater, Deconstruction, Afterword, New Criticism, Special pleading, Philosophy, Foundationalism, Allegory, Reactionary, Literary theory, Relativism, Paul de Man, Utilitarianism, Edmund Husserl, Polemic, Paradox, Obscurantism, Critique, Racism, Philosopher, Criticism, Ideology, Empiricism, Subjectivism, Idealization, Speech and Phenomena, Writing, Plato, Allan Bloom, Consciousness, Philosophy of history, Superiority (short story), Aestheticism, Cogito and the History of Madness, Idealism, Alterity, Critical philosophy, Feminist literary criticism, Literary modernism, Aesthetic Theory, Skepticism, The Resistance to Theory, Theory of art, Jacques Derrida, Irony, Nihilism, Antipathy, Hegelianism, Art criticism, Moral relativism, Nazi propaganda, Reality principle, Anecdote, Literature, Art for art's sake, Thought, Theory, Literary criticism