Leseprobe
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Neverending Stories
Ingeborg Hoesterey (Hrsg.), Ann Fehn (Hrsg.), Maria Tatar (Hrsg.)
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Geisteswissenschaften, Kunst, Musik / Sprach- und Literaturwissenschaft
Beschreibung
In these compelling new essays, leading critics sharpen our understanding of the narrative structures that convey meaning in fiction, taking as their point of departure the narratological positions of Dorrit Cohn, Grard Genette, and Franz Stanzel. This collection demonstrates how narratology, with its attention to the modalities of presenting consciousness, offers a point of entry for scholars investigating the socio-cultural dimensions of literary representations. Drawing from a wide range of literary texts, the essays explore the borderline between fiction and history; explain how characters are constructed by both author and reader through the narration of consciousness; show how gender shapes narrative strategies ranging from the depiction of consciousness through intertextuality to the representation of the body; address issues of contingency in narrative; and present a debate on the crucial function of person in the literary text. The contributors are Stanley Corngold, Gail Finney, Kte Hamburger, Paul Michael Ltzeler, David Mickelsen, John Neubauer, Thomas Pavel, Jens Rieckmann, Shlomith Rimmon-Kenan, Judith Ryan, Franz Stanzel, Susan Suleiman, Maria Tatar, David Wellbery, and Larry Wolff.
Originally published in 1991.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Kundenbewertungen
Deconstruction, Novelist, Genre, Metaphor, Consciousness, In Parenthesis, Narrative, Roland Barthes, Metonymy, Narratology, Literary theory, Literature, Robert Musil, D. H. Lawrence, Narration, Simile, Metahistory, New Criticism, Wolfgang Hildesheimer, Philosophy of history, Creative Writer, Gottfried Benn, Hayden White, Overreaction, Postmodernism, Autobiography, Comparative literature, Conflation, Biography, Sharper, Max Frisch, Parody, Historiography, On Truth, Peter Ackroyd, Verisimilitude (fiction), The Other Hand, Ideal type, Rolf Hochhuth, Arthur Schopenhauer, Semiotics, Essay, Sherwood Anderson, Post-structuralism, Thought, Diary, Marius the Epicurean, Monologue, Bathos, Romanticism, Kenneth Burke, Poetry, Aphorism, Literary fiction, Subtext, Non-fiction, Superiority (short story), Fiction, Ian Watt, Literary modernism, Forgotten man, Suspension of disbelief, Bildungsroman, Irony, Thomas Bernhard, Historical fiction, Writing, Verisimilitude, Death in Venice, Novel