Leseprobe
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
The Politics of Women's Work
Judith G. Coffin
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / 20. Jahrhundert (bis 1945)
Beschreibung
Few issues attracted more attention in the nineteenth century than the "problem" of women's work, and few industries posed that problem more urgently than the booming garment industry in Paris. The seamstress represented the quintessential "working girl," and the sewing machine the icon of "modern" femininity. The intense speculation and worry that swirled around both helped define many issues of gender and labor that concern us today. Here Judith Coffin presents a fascinating history of the Parisian garment industry, from the unraveling of the guilds in the late 1700s to the first minimum-wage bill in 1915. She explores how issues related to working women took shape and how gender became fundamental to the modern social division of labor and our understanding of it.
Combining the social history of women's labor and the intellectual history of nineteenth-century social science and political economy, Coffin sets many questions in their fullest cultural context: What constituted "women's" work? Did women belong in the industrial labor force? Why was women's work equated with low pay? Should not a woman enjoy status as an enlightened homemaker/consumer? The author examines patterns of consumption as well as production, setting out, for example, the links among the newly invented sewing machine, changes in the labor force, and the development of advertising, with its shifting and often unsettling visual representations of women, labor, and machinery. Throughout, Coffin challenges the conventional categories of work, home, and women's identity.
Originally published in 1996.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Kundenbewertungen
Activism, Women's work, Clothing, Social Politics, Social movement, Physiocracy, Political philosophy, Purchasing power, Feminism, Harassment, Political climate, Trade union, Social class, Anarcho-syndicalism, Politics of France, Women's rights, Marketing, Industrialisation, Gender Trouble, Social conflict, Female factory, Pogrom, Femininity, Labor history (discipline), Consumer education, Workforce, Social science, Women's history, Identity politics, Labour movement, Employment, Strike action, Political strategy, Sexual division of labour, Sewing machine, Household, Maslow's hierarchy of needs, Class consciousness, Women's Trade Union League, Employment agency, Female education, Homeworker, Class conflict, Gender history, Family economy, Technology, Minimum wage, Sewing, Advertising, Economic inequality, Political Affairs (magazine), Customer, Politics, Sexual harassment, Two Women, Unemployment, Labour law, Woman, Womankind (magazine), Women's suffrage, The Feminists, Working class, With Women, Resignation, Political economy, Domestic worker, Anti-clericalism, Social research, Criticism of capitalism, Les Femmes