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Men, Women, and Chain Saws

Gender in the Modern Horror Film - Updated Edition

Carol J. Clover

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Theater, Ballett

Beschreibung

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented—notably the slasher movie's "final girls"—as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.

Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid readership from students of film theory to major Hollywood filmmakers.

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Carol J. Clover

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Schlagwörter

Horsehair, Consumer, Creed, Joe Bob Briggs, Narrative, Sex and gender distinction, Psychoanalysis, The Texas Chain Saw Massacre, Frank Henenlotter, I Spit on Your Grave, Manhunter (Kate Spencer), Thorstein Veblen, Banality (sculpture series), Close-up, Fear and Desire, Ideology, Gym, Castration, Horror film, Big O notation, My Name Is Legion (Zelazny collection), Leopold von Sacher-Masoch, Long shot, Cross-dressing, The Woodsman, Primal scene, Scissors, Soliton, The Hills Have Eyes 2, Harold Schechter, Masculinity, Blood Feud (The Simpsons), Notation, Rape culture, Blood Diner, Cannibalism, Incubus, Rape, For All Practical Purposes, Gazer, Body Double, Femininity, Thelma & Louise, Jargon, The Final Girl(s), Gaze, Slasher film, Sadomasochism, Risky Business, Foraminifera, Scalpel, Butcher knife, Obedience (human behavior), Stand-in, Cinematography, Hinge, Eigenvalues and eigenvectors, Equation, Blood Feast, Hunter's Blood, Butch Cassidy and the Sundance Kid, Viewing (funeral), Some Men, Workmanship, Explanation, Horse meat, Gender Trouble, Captain of industry, Loaded language, Leatherface