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Chaucerian Fiction

Robert B. Burlin

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

By analyzing Chaucer's major poetic works, Robert Burlin succeeds in isolating thematic undercurrents with a bearing on the poet's process of composition. He is thus able to relate individual poems to Chaucer's view of himself as a writer, and to assess the internal evidence for a Chaucerian theory of fiction.

Professor Burlin contends that a logic underlies Chaucer's aesthetic assumptions whose imaginative configuration appears both simple and inevitable in the context of his poetic development. The author first explores possible antecedents for the terms "experience" and auctoritee, and shows that this common antinomy provides the basis for dividing the poems into three groups.

In the "poetic fictions," Chaucer speculates on the value of poetic activity, on the sources of its affect, and on its validity as a means of apprehension. The "philosophic fictions" concentrate on the epistemological aspect of literary activity. In a final group of poems, termed "psychological fictions," the poet explores the speaker's unspoken motives, as well as his pronounced intentions, in telling a tale.

Originally published in 1977.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Macrobius, Breton lai, Trojan War, Melodrama, Satire, Metonymy, The Narrator, Pandarus, The Discarded Image, Quibble (plot device), Allegory, Archetype, Troilus, Ridicule, Aphorism, Philosophy, Scholasticism, Etymology, Fabliau, Chaucer's Retraction, Self-deception, Literary fiction, Martianus Capella, Sentimentality, Mortal sin, Poetry, The Wife of Bath's Tale, Falsity, The Legend of Good Women, Parody, Narrative, Antithesis, The Knight's Tale, Giovanni Boccaccio, Philosophical fiction, The Merchant's Tale, Thomas Aquinas, Gluttony, Fiction, Simile, Romanticism, Excursus, English poetry, Superiority (short story), Conflation, Sentimental comedy, Hyperbole, Classicism, Jeremiad, The Prioress's Tale, Hypocrisy, Gullibility, The Franklin's Tale, Sophistication, Irony, Gordian Knot, Pity, The Dream of Scipio (novel), The Nun's Priest's Tale, Sententiae, The Philosopher, Miasma (Greek mythology), The House of Fame, Unstated assumption, Troilus and Criseyde, The Summoner's Tale, Seriousness, Platitude, Opportunism, Flattery