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Plot, Story, and the Novel

From Dickens and Poe to the Modern Period

Robert L. Caserio

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Giving a close critical reading to major texts by Dickens, Poe, Eliot, Melville, James, Conrad, Lawrence, Joyce, Woolf, and Faulkner, Professor Caserio provides an historical dimension to the developing fate of plot, story, and the novel. In addition, he challenges the major critical positions of Northrop Frye, Roland Barthes, and Edward Said with regard to the interpretation and evaluation of narrative trends.

Originally published in 1979.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Superiority (short story), John Stuart Mill, Surfacing (novel), Despair (novel), Novelist, E. M. Forster, Fiction, The Philosopher, Life or Death (novel), Plot (narrative), Prose, The Meaning of Things, Originator (novel), Nathaniel Hawthorne, The Facts in the Case of M. Valdemar, Role-playing, Misery (novel), Suggestion, Narrative, G. K. Chesterton, Domestic drama, Shakespeare's life, Picaresque novel, Romanticism, World literature, Afterword, Family Plot, The Realist, Gertrude Stein, Writer, Lord Alfred Douglas, Deus ex machina, Rience, Narration, Marius the Epicurean, Pym (novel), Novel, Complicity (novel), Deathtrap (plot device), Melodrama, Suspension of disbelief, Aspects of the Novel, Vocation (poem), George Eliot, English novel, Postmodernism, Memoir, Theodore Dreiser, Austen, Literature, Mutability (poem), Consummation, Modern Fiction (essay), Queequeg, Edmund Gosse, Woolf, Foreshadowing, The Sense of the Past, Writing, Storytelling, Criticism, Tender Buttons (book), Creative work, Prig, Secrecy (book), De Profundis (letter), Character (arts), Plot point, Exposition (narrative), Bon-Bon (short story)