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LES CONTEMPLATIONS of Victor Hugo

An Allegory of the Creative Process

Suzanne Nash

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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process.

The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works.

The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Léopoldine as sacrificial muse and figure for poetic language, is traced through the six books. The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory.

Originally published in 1977.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Juvenal, Narrative, Laisse, Girardin, Louis Lambert (novel), Charles Baudelaire, New Thought, Seigneur, V., Moschus, Novel, Victor Hugo, Juliette Drouet, Creation myth, Plautus, L'Histoire, Hemistich, Catullus, M. H. Abrams, Defamiliarization, Dieu, Valery, Dramatic monologue, Plotinus, Jean Valjean, Captain Phoebus, Les Fleurs du mal, Consummation, Politique, English poetry, Encomium, Les Contemplations, Satire, Post-structuralism, Apotheosis, French moralists, Joseph de Maistre, Metaphysical poets, Poet laureate, Parable, Fiction, Romanticism, Roger Shattuck, Granjon, Le Rouet d'Omphale, Allegory, Grand Bois (loa), Contemplations (poem), Paul de Man, Epithalamion (poem), Divine Comedy, Poetic diction, Revue des deux Mondes, Tourbillon, Aujourd'hui, Charles Baudouin, Poetry, Arthur Rimbaud, Blaise Pascal, Oxymoron, Prose, Epic poetry, Guillaume de Lorris, Imprimerie nationale, Metonymy, Blason, George Saintsbury, Superiority (short story), La mer (Debussy), Sentimentality