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Early Trope Repertory of Saint Martial de Limoges

Paul Evans

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musik

Beschreibung

Focusing on the earliest and most extensive collection of tropes we now possess, those associated with the abbey of Saint Martial de Limoges in the tenth and early eleventh centuries, Professor Evans offers new conclusions about the nature and early development of the trope.

Originally published in 1970.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Inception, Ite, missa est, Mode (music), Feria, Amalarius, Epistle, Neume, Abbreviation (music), Melisma, Introit, Gloria in excelsis Deo, Litany, For Example, Ambitus (music), Offertory, Prose, Assonance, Hodie, Hucbald, Liturgical music, Epithet, Chant, Kyriale, Scriptorium, Psalter, Phrase (music), Minstrel, Text declamation, Quotation mark, Oriscus, Caesura, Illustration, Patrologia Latina, Old Roman chant, Sequentia (music group), Conductus, Classical Latin, Liturgical drama, Abbreviation, Psalms, Medieval poetry, Versicle, Alleluia, Ekkehard, Hexameter, Patron saint, Kyrie, Lection, Fons et origo, Hymnal, Sanctus, Intonation (music), Leonine verse, Benedicamus Domino, Music Is, Blume, Time signature, Suscipe, Gregorian chant, Writing, Accentual verse, Narrative, Melody type, Louis the Pious, Primary source, Tuotilo, Fratres, Winchester Troper, Musical form, Musical notation