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Styles in Fictional Structure

Studies in the Art of Jane Austen, Charlotte Brontë, George Eliot

Karl Kroeber

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

With the aid of new analytic techniques, including the computer, Karl Kroeber examines the fictional styles of three consecutive English novelists, presenting an objective and systematic comparison of the stylistic coherence of their work.

Originally published in 1971.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Metaphor, Gwendolen, Pity, Allegory, Sophistication, Suggestion, Characterization, Imagery, Narration, Silas Marner, Exposition (narrative), Edward Ferrars, Verisimilitude (fiction), Villette (novel), Minor Characters, Simile, Mrs., Decorum, Phrenology, Daniel Deronda, New Narrative, Adjective, Digression, Parable, George Eliot, Genre, Frederick Wentworth (Persuasion), Writing style, Miss Bates, Trickster, In Secret, Pride and Prejudice, Character (arts), Role-playing, Novel, Jane Austen, Fictional universe, Persona, Anatomy of Criticism, Criticism, Writing, Imaginary friend, Melodrama, Ambiguity, Contemporary society, Symptom, Casaubon, Novelist, Allusion, Egocentrism, Irony, Narrative, Anthropomorphism, Disenchantment, Protagonist, Fiction, Pedant, Historical fiction, Censure, Satire, The Other Hand, Austen, Vocabulary, Misfortune (folk tale), Soliloquy, Uncertainty, Persuasive definition, Vashti, Charlotte Brontë, Superiority (short story)