Leseprobe
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The Lyrical Novel
Ralph Freeman
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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews
Beschreibung
The author, in defining the genre of "lyrical fiction," separates a type of .fiction that can be legitimately viewed as “poetry” from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction.
Originally published in 1963.
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Good and evil, Remy de Gourmont, Aesthetic Theory, Henri Bergson, Iris Murdoch, German Romanticism, Novalis, Bildungsroman, Heinrich von Ofterdingen, Aestheticism, Faust, Poetry, Rainer Maria Rilke, Romance novel, Prose, Allegory, Virginia Woolf, Joseph Conrad, George Meredith, Assonance, Blason, Classicism, Prose poetry, Awareness, À rebours, Archetype, Demian, Novel of manners, Arthur Schopenhauer, Ludwig Tieck, Walter Pater, Philosophy of Friedrich Nietzsche, Sancho Panza, Narrative, Maurice Maeterlinck, Genre, Poetic diction, Sentimental novel, Aesthetic distance, Hermann Broch, George Eliot, Laurence Sterne, Imagery, Death in Venice, Kenneth Burke, Ezra Pound, Lyric poetry, Philosophical fiction, Tragedy, Robert Musil, Novel, Antithesis, Heinrich Mann, Picaresque novel, The Glass Bead Game, Dialectic, Fiction, D. H. Lawrence, Symbolism (arts), Romantic hero, Sensibility, Consciousness, Jude the Obscure, Novelist, Romanticism, Richard Popkin, Writer, Irony, Soliloquy, Hermann Hesse