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Century of English Farce

Leo Hughes

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft

Beschreibung

This study of farce and low comedy in the English theatre covers the period in which farce as a distinct genre had its beginning.

Originally published in 1956.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Nahum Tate, Pyramus and Thisbe, Burlesque, Amour (musical), John Lacy (playwright), Harlequin, Picaresque novel, Antimasque, Afterpiece, John Heywood, Restoration comedy, Sir Robert Howard, The Miser, Lewis Theobald, Lothario, V., Ancient Greek comedy, The Merry Devil of Edmonton, Way Out (TV series), Tiberio Fiorilli, Plautus, Farce, Thomas Doggett, English drama, Tragicomedy, Thomas Corneille, Pantomime, Baucis and Philemon, Samuel Foote, Fabliau, Molière, W. C. Fields, Horace Walpole, The Feign'd Curtizans, The London Merchant, The Author's Farce, Philip Massinger, Doctor Faustus (play), David Garrick, Follies, John Crowne, Pantalone, Tabarin, Patent theatre, Sentimental comedy, Comic opera, Lazzi, Mime artist, Edward Ravenscroft, Aristophanes, Pedrolino, Colley Cibber, Zanni, William Shakespeare, The Beaux' Stratagem, The Beggar's Opera, Theophilus Cibber, Henry V (play), Old Comedy, The Alchemist (play), Scaramouche, Henry Carey (writer), Ralph Roister Doister, The Comedy of Errors, Melodrama, Thomas Nashe, Samuel Pepys, Beaumont and Fletcher, Repertory theatre, Romanticism