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Thomas P. Roche

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Scholars have often felt that Books III and IV of Spenser's Faerie Queene were loosely, almost carelessly, structured. Thomas P. Roche, Jr., seeks to show by a close examination of the text that all four books have a logical structure, and that the apparently randomly selected episodes form one complex allegory.

Originally published in 1964.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Book, The Knight's Tale, Founding of Rome, First appearance, Matter of Britain, Lucretius, Martianus Capella, Petrarchan sonnet, Theodontius, Diana and Actaeon, Glauce, Stanza, Anthropomorphism, Britomartis, Torquato Tasso, Cynthus, The Faerie Queene, Cymbeline, Inception, The Romaunt of the Rose, Damon and Pythias, Falsity, Correction (novel), Fairy, Allegory, Sonnet sequence, Adage, Courtly love, Romanticism, The Fall of Princes, The Allegory of Love, The Rime of the Ancient Mariner, G. (novel), Samuel Taylor Coleridge, Inscape and instress, V., Bonduca, Edmund (King Lear), Poetry, Ubi sunt, Etymology, Mammon, Cupid, Orlando Furioso, Belphoebe, Simile, Mortal Love (novel), Archimago, Demogorgon, Greek mythology, Palinode, Parody, The Squire of Low Degree, Cupid and Psyche, The Heresy of Paraphrase, Giovanni Boccaccio, Psychomachia, Narrative, Prophecy of Merlin, Conceit, Dumbshow, Demogorgon (Dungeons & Dragons), Arthur Golding, Epigram, Emblem, Pylades, Euripides, Trojan War, Geoffrey Whitney, Moschus