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Perspectives on Schoenberg and Stravinsky

Benjamin Boretz (Hrsg.), Edward T. Cone (Hrsg.)

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musik

Beschreibung

Perspectives on Schoenberg and Stravinsky is an analytical and historical study of the twentieth century's most influential figures, by Milton Babbitt, Arthur Berger, Edward T. Cone, Robert Craft, Claudio Spies, and others; with new bibliographic and discographic studies prepared especially for this revised edition.

Originally published in 1968.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Benjamin Boretz
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Schlagwörter

The Tenors, Pitch (music), Phrase (music), Symphony in Three Movements (Stravinsky), The Art of Fugue, Threni (Stravinsky), Sprechgesang, Canon (music), Contralto, Leopold Stokowski, Tonality, Clarinet, Music for the Requiem Mass, Harmonielehre, Four Orchestral Songs, Anton Webern, Arnold Schoenberg, Franz Liszt, Richard Strauss, Association for Contemporary Music, Musical analysis, Musical History, Musical form, Gurre-Lieder, Atonality, Hans Keller, Ludwig van Beethoven, Song cycle, Interval (music), Igor Stravinsky, Orchestra, Program music, Serialism, Johann Sebastian Bach, Pitch class, Psalms chord, Elegia, Repetition (music), Oboe, Milton Babbitt, Libretto, Modulation (music), Degree (music), Symphony of Psalms, Wind Quintet (Nielsen), Alto flute, Expressionist music, Abbreviation (music), Stretto, The Orchestra, Octatonic scale, Beethoven and Mozart, Coloratura, Hauptstimme, Hexachord, Orchestration, Oratorio, Ornament (music), Variations for Orchestra (Schoenberg), Reprise, Composer, Rodgers and Hammerstein, Suite (music), Johannes Brahms, Music Is, Polyphony, Twelve-tone technique, Music theory, Requiem (Verdi), Musical composition