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Poetic Art of W.H. Auden

John G. Blair

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Attempts to isolate and describe the characteristic poetic mode in which Auden has worked for more than thirty years.

Originally published in 1965.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Arthur Rimbaud, Philosophical poets, Romanticism, T. S. Eliot, Poetry, Edward Lear, Rex Warner, Extended metaphor, Syllabic verse, Wilfred Owen, Nonsense verse, W. S. Merwin, Metre (poetry), In Parenthesis, Dramatic monologue, Nevill Coghill, Understanding Poetry, Medieval poetry, Hudibras, William Empson, Ars Poetica (Horace), Caliban, Futility (poem), William Shakespeare, Poetic diction, W. H. Auden, Bertolt Brecht, Pun, Mutability (poem), Malcolm Cowley, Allegory, Couplet, Parody, John Betjeman, Bard, Satire, Literature, Herbert Read, Kenneth Burke, Literary theory, Byronic hero, Prose, Classicism, D. H. Lawrence, Søren Kierkegaard, Adage, Literary criticism, W. B. Yeats, Clerihew, Parable, Ballade (forme fixe), Simile, Libretto, Chester Kallman, Symbolism (arts), Anecdote, Graham Greene, Oratorio, Christopher Isherwood, Poet, Epigraph (literature), Lord Byron, English poetry, Ibid (short story), The Orators, Trivium, Rainer Maria Rilke, William Hogarth, William Plomer, Poetic tradition