Robert Louis Stevenson and the Romantic Tradition
Edwin M. Eigner
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Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
Stevenson's fiction is evaluated in the light of the significant Romantic traditions that have influenced the novel and the romance. Stevenson is also considered as a serious writer and compared with Joseph Conrad, Mark Twain, and other major writers of the period.
Originally published in 1966.
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Romanticism, Richard Aldington, English novel, The Marble Faun, Edgar Linton, Novelist, Romantic hero, Alan Breck Stewart, Damon and Pythias, Charles Darnay, Rupert Hart-Davis, Poetry, Huckleberry Finn, Prince Otto, The Narrator, Heathcliff (Wuthering Heights), G. (novel), Victor Hugo, A Defence of Poetry, Clarissa, George Meredith, Charles Baudelaire, Quixotism, Gordian Knot, Edmund Gosse, Madame Bovary, The Realist, Byronic hero, Hogg (novel), Nathaniel Hawthorne, Precaution (novel), The Other Hand, George Gissing, Sentimentalism (literature), Sidney Colvin, The Mysteries of Udolpho, G. K. Chesterton, Markheim, Novel of manners, David Balfour, Josef Breuer, Romance novel, Weir of Hermiston, Futility (poem), Literature, Victorian literature, Edgar Allan Poe, Joseph Conrad, George Eliot, Ibid (short story), Kurtz (Heart of Darkness), The Master of Ballantrae, Richard Ellmann, Mark Twain, Sons and Lovers, Novel, Fiction, Oscar Wilde, The Merry Men (short story), Pinkerton (detective agency), Allegory, Lyrical Ballads, W. B. Yeats, God Knows (novel), Man and Wife (novel), Eugene Aram, Theatre of the Absurd, Pudd'nhead Wilson, William Shakespeare, Robert Louis Stevenson