Leseprobe
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Landscape as Urbanism
Charles Waldheim
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Geisteswissenschaften, Kunst, Musik / Architektur
Beschreibung
A definitive intellectual history of landscape urbanism
It has become conventional to think of urbanism and landscape as opposing one another—or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape.
Charles Waldheim traces the roots of landscape as a form of urbanism from its origins in the Renaissance through the twentieth century. Growing out of progressive architectural culture and populist environmentalism, the concept was further informed by the nineteenth-century invention of landscape architecture as a "new art" charged with reconciling the design of the industrial city with its ecological and social conditions. In the late twentieth and early twenty-first centuries, as urban planning shifted from design to social science, and as urban design committed to neotraditional models of town planning, landscape urbanism emerged to fill a void at the heart of the contemporary urban project.
Generously illustrated, Landscape as Urbanism examines works from around the world by designers ranging from Ludwig Hilberseimer, Andrea Branzi, and Frank Lloyd Wright to James Corner, Adriaan Geuze, and Michael Van Valkenburgh. The result is the definitive account of an emerging field that is likely to influence the design of cities for decades to come.
Kundenbewertungen
Harvard Design Magazine, Landscape architect, James Corner, Industrial organization, Via Tiburtina, Environmental determinism, Infrastructure, Modern architecture, Landscape planning, Dada, Case study, Urban planning, Site plan, Urban renewal, Rhyme, Conspicuous consumption, Hal Foster (art critic), Economic restructuring, Landscape architecture, Parametricism, Supply chain, Alejandro Zaera-Polo, When We Dead Awaken, Economic growth, Tennessee River, Michael Van Valkenburgh, Landscape urbanism, Patrick Geddes, Walter Benjamin, Decentralization, Ian McHarg, Humphry Repton, Albrecht Altdorfer, Civil engineering, Picturesque, Stan Allen, Bernard Tschumi, Marcel Duchamp, Redlining, Urbanization, To This Day, Terminology, Rem Koolhaas, Peter Latz, Brownfield land, Reaktion Books, Poetry, Urbanism, Progenitor, Urban design, Geoffrey Jellicoe, Kongjian Yu, Peter Eisenman, The Other Hand, West 8, Heathrow Airport, The New Science, Art Institute of Chicago, Fordism, New Urbanism, Shenzhen, Ludwig Hilberseimer, Postmodern architecture, Modernity, Urban history, Dystopia, Ecological urbanism, Oven, Andrea Branzi, Northerly Island