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A History of Modern French Literature

From the Sixteenth Century to the Twentieth Century

Christopher Prendergast (Hrsg.)

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Princeton University Press img Link Publisher

Belletristik / Essays, Feuilleton, Literaturkritik, Interviews

Beschreibung

An accessible and authoritative new history of French literature, written by a highly distinguished transatlantic group of scholars

This book provides an engaging, accessible, and exciting new history of French literature from the Renaissance through the twentieth century, from Rabelais and Marguerite de Navarre to Samuel Beckett and Assia Djebar. Christopher Prendergast, one of today's most distinguished authorities on French literature, has gathered a transatlantic group of more than thirty leading scholars who provide original essays on carefully selected writers, works, and topics that open a window onto key chapters of French literary history. The book begins in the sixteenth century with the formation of a modern national literary consciousness, and ends in the late twentieth century with the idea of the "national" coming increasingly into question as inherited meanings of "French" and "Frenchness" expand beyond the geographical limits of mainland France.

  • Provides an exciting new account of French literary history from the Renaissance to the end of the twentieth century
  • Features more than thirty original essays on key writers, works, and topics, written by a distinguished transatlantic group of scholars
  • Includes an introduction and index

The contributors include Etienne Beaulieu, Christopher Braider, Peter Brooks, Mary Ann Caws, David Coward, Nicholas Cronk, Edwin M. Duval, Mary Gallagher, Raymond Geuss, Timothy Hampton, Nicholas Harrison, Katherine Ibbett, Michael Lucey, Susan Maslan, Eric Méchoulan, Hassan Melehy, Larry F. Norman, Nicholas Paige, Roger Pearson, Christopher Prendergast, Jean-Michel Rabaté, Timothy J. Reiss, Sarah Rocheville, Pierre Saint-Amand, Clive Scott, Catriona Seth, Judith Sribnai, Joanna Stalnaker, Aleksandar Stević, Kate E. Tunstall, Steven Ungar, and Wes Williams.

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Christopher Prendergast
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Christopher Prendergast
Christopher Prendergast

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Schlagwörter

Flattery, Parody, Novelist, Modernity, French poetry, Erudition, Philosophy, Charles Perrault, Sonnet, Theology, Irony, Genre, Jean-Jacques Rousseau, Princeton University Press, Biography, Marguerite de Navarre, Classicism, Philosopher, Memoir, Blaise Pascal, The Various, Writing, Ideology, Farce, Joachim du Bellay, Publication, The Other Hand, French Renaissance, François Rabelais, French literature, Poetry, Consciousness, Roland Barthes, Religious war, Stendhal, Louis XIV of France, Illustration, Ridicule, Charles Baudelaire, Romanticism, Sensibility, Allegory, Petrarch, Superiority (short story), Writer, Prose, Rhetoric, Cambridge University Press, Pamphlet, Playwright, Denis Diderot, Satire, Picaresque novel, Monsieur, Aphorism, Jean-Paul Sartre, Gargantua and Pantagruel, Valet, Arthur Rimbaud, Fiction, Literature, Surrealism, Epic poetry, Oxford University Press, Narrative, Allusion, Treatise, Colonialism, Novel, Tragedy