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Coleridge on the Language of Verse

Emerson R. Marks

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

Drawing on the entire corpus of Coleridge's prose, Emerson Marks shows how the poet's rationale was grounded in the mimetic theory that informed his distinction between a copy and an imitation which Coleridge himself labeled the universal principle of the fine arts."

Originally published in 1981.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Epithalamion (poem), Literature, Walter Pater, Herbert Read, Samuel Daniel, Robert Frost, Iambic pentameter, Syntaxis, Mimesis, Prose poetry, Thomas Warton, W. H. Auden, Stephen MacKenna, Eo ipso, Literary theory, Sonnet, W. B. Yeats, Romanticism, Robert Scholes, Epistle, Hartley Coleridge, Languages of Art, An Essay on Man, Literary criticism, Transcendental idealism, Criticism, Poetry, Little Gidding (poem), An Essay on Criticism, Prose, Samuel Taylor Coleridge, Roland Barthes, William Shakespeare, Poet, Epigraph (literature), Aesthetic Theory, August Wilhelm Schlegel, Shakespearean tragedy, Esemplastic, Ezra Pound, Wallace Stevens, Preface, Blank verse, Creative Writer, Adam's Curse (poem), Shakespeare's plays, Charles Olson, T. S. Eliot, Couplet, Rhyme, A Defence of Poetry, Joseph Warton, Theory of Forms, Poetics (Aristotle), Superiority (short story), G. (novel), I. A. Richards, Writing, Writing style, English novel, Ibid (short story), Metre (poetry), Epistle to Dr Arbuthnot, Poetic diction, Critical Essays (Orwell), English poetry, Adage, Etymology, William Godwin, Essay