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Chopin and His World

Jonathan D. Bellman (Hrsg.), Halina Goldberg (Hrsg.)

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Musikgeschichte

Beschreibung

A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin

Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt.


The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies.


The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.

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Schlagwörter

Balladyna (drama), Ornament (music), Ballades (Chopin), Music history, Composer, Allusion, Circle of fifths, Improvisation, Johann Sebastian Bach, Polonaise, Krakowiak, Franz Liszt, Polish songs (Chopin), Critical edition (opera), Graveyard poets, Octave, Singing, Gustav Mahler, Polish literature, Nocturne in C-sharp minor (attributed to Chopin), Pan Tadeusz, La sonnambula, Revue et gazette musicale de Paris, Berceuse (Chopin), Feudalism, Phrase (music), Richard Strauss, Romanticism, Quarter note, Polish opera, Polish language, The Ballade, Poetry, Musical language, Musical theatre, Duchy of Warsaw, Chromatic scale, Sonata in B minor (Liszt), Fantasy on Polish Airs (Chopin), Julian Ursyn Niemcewicz, E. T. A. Hoffmann, Adam Mickiewicz, Ludwig van Beethoven, Piano, Waltz in A minor (Chopin), George Sand, Prussia, Louis Adam, Goethe's Faust, Gothic fiction, Song of the Bell, Baroque music, Fryderyk Chopin Institute, Euripides, Robert Schumann, Samuel Taylor Coleridge, November Uprising, Dies Irae, Genre, Dziady (poem), Rondo in C minor (Chopin), Funeral march, Marquis de Custine, Mazurkas (Chopin), Fortepiano, Julian Fontana, Mazurka, 19th-Century Music, Musicology, Hector Berlioz