Six Plays by Henrik Ibsen (Barnes & Noble Classics Series)
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Belletristik / Dramatik
- New introductions commissioned from todays top writers and scholars
- Biographies of the authors
- Chronologies of contemporary historical, biographical, and cultural events
- Footnotes and endnotes
- Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
- Comments by other famous authors
- Study questions to challenge the readers viewpoints and expectations
- Bibliographies for further reading
- Indices & Glossaries, when appropriate
After writing historical plays and imaginative epic dramas in verse, such as Peer Gynt, Ibsen turned away from history and romanticism to focus instead on the problems of the individual and modern society. The plays of his middle period—A Doll’s House, Ghosts, The Wild Duck, and his most popular play, Hedda Gabler—are masterpieces of stark psychological realism. In his final plays, including The Master Builder, Ibsen mixed realism and symbolism to enrich his examination of our subconscious drives and urges.
Ibsen was criticized and denounced during his lifetime for expanding the boundaries of what is acceptable fare for the stage. Audiences were shocked when he wrote of feminist yearnings, venereal disease, and the deep emotions that underlie the sadness involved in being human. James Joyce put the criticism in perspective: “Henrik Ibsen is one of the world’s great men before whom criticism can make but feeble show. . . . When the art of a dramatist is perfect the critic is superfluous.” Ibsen has since come to be considered one of our greatest playwrights.
Martin Puchner is Assistant Professor of English and comparative literature at Columbia University. He is the author of Stage Fright: Modernism, Anti-Theatricality and Drama (Johns Hopkins University Press, 2002).