Asmat Art
Woodcarvings of Southwest New Guinea
Dirk Smidt (Hrsg.)
EPUB
ca. 32,99 €
Amazon
iTunes
Thalia.de
Weltbild.de
Hugendubel
Bücher.de
ebook.de
kobo
Osiander
Google Books
Barnes&Noble
bol.com
Legimi
yourbook.shop
Kulturkaufhaus
ebooks-center.de
* Affiliatelinks/Werbelinks
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Geisteswissenschaften, Kunst, Musik / Kunst
Beschreibung
Asmat Art features the world renowned woodcarvings of the Asmat, former head-hunters who live in the western half of New Guinea
This book presents a full range of Asmat woodcarving art, but emphasizes the rare early shields and figure sculptures. Drums, canoe prowheads and the larger, more dramatic "objects" are also shown.
Together with bisj poles, war shields are perhaps the most famous creation of Asmat artists, and these were carved throughout the region. It is in the design and construction of the shields that the variations in style region can most clearly be seen. Figure sculptures, of varying styles, are also well represented here, and a limited number of the huge ceremonial carvings, such as bisj poles and basu suangkus, have also been included. The cultural context in which these items play their part is described in detail in the introductory chapters. But it is not the intention of this book to be an ethnography. The focus is on the art pieces themselves.
This book presents a full range of Asmat woodcarving art, but emphasizes the rare early shields and figure sculptures. Drums, canoe prowheads and the larger, more dramatic "objects" are also shown.
Together with bisj poles, war shields are perhaps the most famous creation of Asmat artists, and these were carved throughout the region. It is in the design and construction of the shields that the variations in style region can most clearly be seen. Figure sculptures, of varying styles, are also well represented here, and a limited number of the huge ceremonial carvings, such as bisj poles and basu suangkus, have also been included. The cultural context in which these items play their part is described in detail in the introductory chapters. But it is not the intention of this book to be an ethnography. The focus is on the art pieces themselves.
Weitere Titel in dieser Kategorie