Leseprobe
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Forgeries of Memory and Meaning
Cedric J. Robinson
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The University of North Carolina Press 
Geisteswissenschaften, Kunst, Musik / Pädagogik
Beschreibung
Cedric J. Robinson offers a new understanding of race in America through his analysis of theater and film of the early twentieth century. He argues that economic, political, and cultural forces present in the eras of silent film and the early "talkies" firmly entrenched limited representations of African Americans.
Robinson grounds his study in contexts that illuminate the parallel growth of racial beliefs and capitalism, beginning with Shakespearean England and the development of international trade. He demonstrates how the needs of American commerce determined the construction of successive racial regimes that were publicized in the theater and in motion pictures, particularly through plantation and jungle films. In addition to providing new depth and complexity to the history of black representation, Robinson examines black resistance to these practices. Whereas D. W. Griffith appropriated black minstrelsy and romanticized a national myth of origins, Robinson argues that Oscar Micheaux transcended uplift films to create explicitly political critiques of the American national myth. Robinson's analysis marks a new way of approaching the intellectual, political, and media racism present in the beginnings of American narrative cinema.
Kundenbewertungen
Song of the South, minstrelsy, William Shakespeare’s Othello, plantation films, Emperor Jones, Bamboozled, Mantan Moreland, Tarzan, jungle films, The Nigger, Black, African American cinema, King Kong, racial contructs, Spike Lee, Birth of a Nation, D.W. Griffith, silent film, Blackface, Jezebel, Oscar Micheaux, Hearts of Dixie, Bogle, Revenge of the Zombies, Trader Horn, Cripps, Within Our Gates