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This Ain't Chicago

Race, Class, and Regional Identity in the Post-Soul South

Zandria F. Robinson

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Geisteswissenschaften, Kunst, Musik / Pädagogik


When Zandria Robinson returned home to interview African Americans in Memphis, she was often greeted with some version of the caution "I hope you know this ain't Chicago." In this important new work, Robinson critiques ideas of black identity constructed through a northern lens and situates African Americans as central shapers of contemporary southern culture. Analytically separating black southerners from their migrating cousins, fictive kin, and white counterparts, Robinson demonstrates how place intersects with race, class, gender, and regional identities and differences.

Robinson grounds her work in Memphis--the first big city heading north out of the Mississippi Delta. Although Memphis sheds light on much about the South, Robinson does not suggest that the region is monolithic. Instead, she attends to multiple Souths, noting the distinctions between southern places. Memphis, neither Old South nor New South, sits at the intersections of rural and urban, soul and post-soul, and civil rights and post-civil rights, representing an ongoing conversation with the varied incarnations of the South, past and present.

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Zandria F. Robinson
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New South, urban and rural cultures in the South, OutKast, regionalism, southern ethnography, country cosmopolitanism, Erykah Badu, Atlanta, post-soul South, contemporary community study, contemporary African American identity, urban South, blues and hip-hop, modern urban South, intersectionality, urban ethnographies in the South, contemporary southern culture, racial authenticity, region, race, and identity, black/African American South, identity performance, southern hip-hop, third coast, Tyler Perry, black southern culture, Memphis, Dirty South, post-civil rights South, urban ethnography, sociological case study, return South migration