Leseprobe
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This Ain't Chicago
Zandria F. Robinson
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The University of North Carolina Press 
Geisteswissenschaften, Kunst, Musik / Pädagogik
Beschreibung
When Zandria Robinson returned home to interview African Americans in Memphis, she was often greeted with some version of the caution "I hope you know this ain't Chicago." In this important new work, Robinson critiques ideas of black identity constructed through a northern lens and situates African Americans as central shapers of contemporary southern culture. Analytically separating black southerners from their migrating cousins, fictive kin, and white counterparts, Robinson demonstrates how place intersects with race, class, gender, and regional identities and differences.
Robinson grounds her work in Memphis--the first big city heading north out of the Mississippi Delta. Although Memphis sheds light on much about the South, Robinson does not suggest that the region is monolithic. Instead, she attends to multiple Souths, noting the distinctions between southern places. Memphis, neither Old South nor New South, sits at the intersections of rural and urban, soul and post-soul, and civil rights and post-civil rights, representing an ongoing conversation with the varied incarnations of the South, past and present.
Kundenbewertungen
urban ethnography, Atlanta, New South, regionalism, racial authenticity, OutKast, black/African American South, urban South, contemporary southern culture, sociological case study, urban and rural cultures in the South, region, race, and identity, country cosmopolitanism, contemporary African American identity, modern urban South, urban ethnographies in the South, Tyler Perry, identity performance, southern hip-hop, black southern culture, third coast, Dirty South, return South migration, southern ethnography, post-civil rights South, Erykah Badu, Memphis, intersectionality, blues and hip-hop, contemporary community study, post-soul South