Leseprobe
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Innocent Weapons
Margaret Peacock
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The University of North Carolina Press 
Sachbuch / 20. Jahrhundert (bis 1945)
Beschreibung
In the 1950s and 1960s, images of children appeared everywhere, from movies to milk cartons, their smiling faces used to sell everything, including war. In this provocative book, Margaret Peacock offers an original account of how Soviet and American leaders used emotionally charged images of children in an attempt to create popular support for their policies at home and abroad.
Groups on either side of the Iron Curtain pushed visions of endangered, abandoned, and segregated children to indict the enemy's state and its policies. Though the Cold War is often characterized as an ideological divide between the capitalist West and the communist East, Peacock demonstrates a deep symmetry in how Soviet and American propagandists mobilized similar images to similar ends, despite their differences. Based on extensive research spanning fourteen archives and three countries, Peacock tells a new story of the Cold War, seeing the conflict not simply as a divide between East and West, but as a struggle between the producers of culture and their target audiences.
Kundenbewertungen
history of Soviet childhood or youth, Cold War consensus, Vietnam propaganda, politics of childhood or youth, Civil Rights and the Cold War, Cold War education, Committee for a Sane Nuclear Policy (SANE), images of childhood, Artek, semiotics of childhood or youth, American Cold War culture, global Cold War culture, Russian Cold War culture, children’s history, Soviet Cold War culture, Women Strike for Peace, transnational Cold War, Pioneers, Soviet Thaw film, Cold War culture, history of childhood or youth, Cold War propaganda, Boy Scouts, maternalist politics in the Cold War, Komsomol, Girl Scouts, history of American childhood or youth