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Contracultura

Alternative Arts and Social Transformation in Authoritarian Brazil

Christopher Dunn

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The University of North Carolina Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Geschichte

Beschreibung

Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions.

Dunn reveals previously ignored connections between the counterculture and Brazilian music, literature, film, visual arts, and alternative journalism. In chronicling desbunde, the Brazilian hippie movement, he shows how the state of Bahia, renowned for its Afro-Brazilian culture, emerged as a countercultural mecca for youth in search of spiritual alternatives. As this critical and expansive book demonstrates, many of the country's social and justice movements have their origins in the countercultural attitudes, practices, and sensibilities that flourished during the military dictatorship.

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Schlagwörter

Gay movement in Brazil, Torquato Neto, Hélio Oiticica, Brazilian masculinity, Counterculture in Latin America, Hippie village in Arembepe, Brazil, Lygia Clark, Hippie movement in Brazil, Neoconcretism, Lélia Gonzalez, Jorge Ben, Tropicália, Alternative Press in Brazil, Youth culture of Rio de Janeiro, Tim Maia, Candomblé in Brazilian popular music, Black movement in Brazil, Dom Filó, Gal Costa, Culture and Politics in Authoritarian Brazil, Caetano Veloso, Desbunde, Counterculture in Brazil, Novos Baianos, Waly Salomão, Brazilian popular music, Avant-garde and counterculture, Gerson King Combo, Gilberto Gil, Salvador, Bahia as destination for alternative tourists, André Luiz Oliveira, Raul Seixas, Soul music in Brazil