Leseprobe
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Capturing the South
Scott L. Matthews
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The University of North Carolina Press 
Sachbuch / 20. Jahrhundert (bis 1945)
Beschreibung
In his expansive history of documentary work in the South during the twentieth century, Scott L. Matthews examines the motivations and methodologies of several pivotal documentarians, including sociologist Howard Odum, photographers Jack Delano and Danny Lyon, and music ethnographer John Cohen. Their work salvaged and celebrated folk cultures threatened by modernization or strived to reveal and reform problems linked to the region's racial caste system and exploitative agricultural economy.
Images of alluring primitivism and troubling pathology often blurred together, neutralizing the aims of documentary work carried out in the name of reform during the Progressive era, New Deal, and civil rights movement. Black and white southerners in turn often resisted documentarians' attempts to turn their private lives into public symbols. The accumulation of these influential and, occasionally, controversial documentary images created an enduring, complex, and sometimes self-defeating mythology about the South that persists into the twenty-first century.
Kundenbewertungen
Howard Odum, Arthur Raper, John Cohen and folk revival, Walker Evans and Hale County, Alabama, civil rights movement photography and the South, Hale County, Alabama and documentary, New Deal and documentary, field recordings and the South, Jack Delano and FSA, documentary film and the South, Farm Security Administration photography and the South, documentary photography and the South, Danny Lyon and SNCC, Let Us Now, Folkways Records, Roscoe Holcomb, sociology and the South, James Agee, ethnography and the South, Documentary and the South, Greene County, Georgia and documentary, Student Nonviolent Coordinating Committee and documentary photography, folk music revival and the South