On Freedom and the Will to Adorn
Cheryl A. Wall
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Belletristik / Essays, Feuilleton, Literaturkritik, Interviews
Although they have written in various genres, African American writers as notable and diverse as W. E. B. Du Bois, James Baldwin, and Alice Walker have done their most influential work in the essay form.
The Souls of Black Folk,
The Fire Next Time, and
In Search of Our Mothers' Gardens are landmarks in African American literary history. Many others writers, such as Ralph Ellison, Zora Neale Hurston, James Weldon Johnson, and Richard Wright, are acclaimed essayists but achieved greater fame for their work in other genres; their essay work is often overlooked or only studied in the contexts of their better known works. Here Cheryl A. Wall offers the first sustained study of the African American essay as a distinct literary genre.
Beginning with the sermons, orations, and writing of nineteenth-century men and women like Frederick Douglass who laid the foundation for the African American essay, Wall examines the genre's evolution through the Harlem Renaissance. She then turns to her attention to four writers she regards as among the most influential essayists of the twentieth century: Baldwin, Ellison, June Jordan, and Alice Walker. She closes the book with a discussion of the status of the essay in the twenty-first century as it shifts its medium from print to digital in the hands of writers like Ta-Nehisi Coates and Brittney Cooper. Wall's beautifully written and insightful book is nothing less than a redefinition of how we understand the genres of African American literature.
Amiri Baraka, Harlem Renaissance debates, trouble eloquence, Zora Neale Hurston, Alice Walker, Black Arts Movement, Ralph Ellison, African American aesthetics, W.E.B. Du Bois, black feminism, Brittney Cooper, Jessie Fauset, abolitionist oratory, Ta-Nehisi Coates, democratic eloquence, vernacular process, June Jordan, African American essay, James Baldwin, Larry Neal, Frederick Douglass, Patricia Williams