Leseprobe
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Where We Find Ourselves
Alex Harris (Hrsg.), Margaret Sartor (Hrsg.)
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The University of North Carolina Press 
Ratgeber / Sammeln, Sammlerkataloge
Beschreibung
Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment--and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South.
Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art--its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
Kundenbewertungen
history of photography, Southern photography, The Black Edwardians, Portrait photography in, Africana studies, itinerant photographer, Rubenstein Special Collections Library at Duke University, Victorian and Edwardian fashion, Nasher Museum of Art, Photography and the color line, Photography and identity, African American History, African American Life, Early portrait photography, West Point on the Eno, Margaret Sartor, North Carolina History, Race Relations in the New South, Michael Lesy, Deborah Willis, History of race in America, Jim Crow, Archive of Documentary Arts, Black Victoriana, Alex Harris, glass plate negatives, history of Durham, North Carolina, Center for Documentary Studies at Duke University, American Photography, #blacklivesmatter