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Visualizing Equality

African American Rights and Visual Culture in the Nineteenth Century

Aston Gonzalez

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The University of North Carolina Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned.

Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.

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Schlagwörter

African American business, African American visual culture, black photographers, Patrick Henry Reason, African Americans in Reconstruction, moving panoramas, antebellum black activists, African American photographers, African Americans in Philadelphia, black activists, African American print culture, African American emigration, visual culture of Reconstruction, African Americans in New York, black Reconstruction politicians, antislavery visual culture, African American engravers, black activists of the Civil War, African Americans in Boston, visual culture of the Civil War, African Americans in the Civil War, antebellum visual culture, Augustus Washington, African American community building, Robert Douglass, African American activists