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Geisteswissenschaften, Kunst, Musik / Geschichte
In this sweeping history, leading Haitian intellectual Jean Casimir argues that the story of Haiti should not begin with the usual image of Saint-Domingue as the richest colony of the eighteenth century. Rather, it begins with a reconstruction of how individuals from Africa, in the midst of the golden age of imperialism, created a sovereign society based on political imagination and a radical rejection of the colonial order, persisting even through the U.S. occupation in 1915.
The Haitians also critically retheorizes the very nature of slavery, colonialism, and sovereignty. Here, Casimir centers the perspectives of Haiti's moun andeyo—the largely African-descended rural peasantry. Asking how these systematically marginalized and silenced people survived in the face of almost complete political disenfranchisement, Casimir identifies what he calls a counter-plantation system. Derived from Caribbean political and cultural practices, the counter-plantation encompassed consistent reliance on small-scale landholding. Casimir shows how lakou, small plots of land often inhabited by generations of the same family, were and continue to be sites of resistance even in the face of structural disadvantages originating in colonial times, some of which continue to be maintained by the Haitian government with support from outside powers.
Haitian Creole, counter-plantation or peasantry, memory, lakou, captivity and enslavement, decolonial theory, sufferers, private vs public life, Alexandre Pétion, sovereignty, Haiti, counter-plantation system, governance, Blacks, mulattoes, people of color, Whites, race, Baron de Vastey, language, national independence, Atlantic, Caribbean, Bossales, inhabitant, gender, citizen, Moun or person, culture, colonialism, Africa, Africa vs. Guinea, slave vs. run-away, fugitive or maroon, Jean-Jacques Dessalines, nation, government or public administration, U.S. occupation of Haiti, statehood, elite, oligarchy, family, slavery, community, plantations, State, coloniality/modernity