How the Streets Were Made
Yelena Bailey
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The University of North Carolina Press
Geisteswissenschaften, Kunst, Musik / Pädagogik
Beschreibung
In this book, Yelena Bailey examines the creation of "the streets" not just as a physical, racialized space produced by segregationist policies but also as a sociocultural entity that has influenced our understanding of blackness in America for decades. Drawing from fields such as media studies, literary studies, history, sociology, film studies, and music studies, this book engages in an interdisciplinary analysis of the how the streets have shaped contemporary perceptions of black identity, community, violence, spending habits, and belonging.
Where historical and sociological research has examined these realities regarding economic and social disparities, this book analyzes the streets through the lens of marketing campaigns, literature, hip-hop, film, and television in order to better understand the cultural meanings associated with the streets. Because these media represent a terrain of cultural contestation, they illustrate the way the meaning of the streets has been shaped by both the white and black imaginaries as well as how they have served as a site of self-assertion and determination for black communities.
Kundenbewertungen
Ann Petry, black advertisements, Hip Hop, public housing projects, Just Another Girl on the IRT, The Wire, Ta-Nehisi Coates, The Fugees, U.S. housing segregation, Kendrick Lamar, race and consumerism, black film and television, racial wealth gap, urban space, Moonlight, The Chi, Ebony magazine, Fair Housing Act, Kerner Commission, Boyz N the Hood, twentieth-century African American culture, Lupe Fiasco, James Baldwin, FHA housing policy, race and homeownership