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Digital Media Distribution

Portals, Platforms, Pipelines

Courtney Brannon Donoghue (Hrsg.), Timothy Havens (Hrsg.), Paul McDonald (Hrsg.)

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Sozialwissenschaften, Recht, Wirtschaft / Medien, Kommunikation

Beschreibung

A deep dive into the new era of digital content production and distribution

In the twenty-first century, the platforms that both create and host content have become nearly as important as media itself. Companies such as Netflix, Spotify, and YouTube have attained a massive hold on the public imagination and have become an almost ineluctable part of people’s everyday lives. While the workings of media distribution had until very recently remained inconsequential to the average consumer, the recent popularization of various online platforms has made the question of distribution immediate to everyone.

Digital Media Distribution: Portals, Platforms, Pipelines provides a timely examination of the multifaceted distribution landscape in a moment of transformation and conceptualizes media distribution as a complex site of power, privilege, and gatekeeping. These tensions have local, national, and global consequences on the autonomy of creative workers, as well as on how we gain access to, engage with, and understand cultural products. Drawing on original research into distribution practices in industries as diverse as television, film, videogames, literature, and adult entertainment, each chapter explores how digitization has changed media distribution and its broader economic, industrial, social, and cultural implications.

Bringing together experts from around the world and across the media industries, Digital Media Distribution: Portals, Platforms, Pipelines presents a vast array of critical approaches and illustrative case studies for understanding the factors that have an impact on the way media travels and moves throughout our digital lives.

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Schlagwörter

MENA (Middle East and North Africa), Valuation practice, Social Media Entertainment, MIPTV, Streaming Video, Latin America, Recorded music, Recommendation systems, Media infrastructures, Optimization, MindGeek, Gatekeeping, Economic sociology, Internet distribution, Spotify, Netflix, Digital media industries, Digital transformation, Pornography, Amazon, Digital games, Regulation, Algorithm, Platforms, Circulation, Comparison, Content supply model, Mediation, Concentration, Talent agencies, Film, Informality, Portalization, Nollywood, Region, Europe, Digital distribution, Streaming platforms, Geoblocking, MIPCOM, Television, Community managers, Engagement industry, Digital Platforms, Stakeholders, Globalization, Distribution systems, Publishing, Intermediaries, Bluetooth, Invisible intermediaries, Distribution, Digital disruption, Fake likes, Localism, Performance, Rights, YouTube, Media industries, China’s media and tech industries, Media theory, Market theory, Filtering, African media, Digitalization, Storytelling, Pornhub, Books, Personalization, Digital technologies, Outliers, Public Service Broadcasting, Media, Media circulation, SVOD, Children’s Television, Price, Content valuation, Video-on-demand, Language, Subscription Video-on-Demand, Streaming music, Infrastructure, Media automation, Digital media, Satellite television, Manwin, Sports media, Global television markets, Pricing, Nigerian media, Datafication, Streaming media, Value, Mansef, International TV production groups, Inequalities