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Archiving an Epidemic

Art, AIDS, and the Queer Chicanx Avant-Garde

Robb Hernández

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NYU Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Kunst

Beschreibung

Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association

Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section

Finalist, 2019 Lambda Literary Award in LGBTQ Studies



Critically reimagines Chicanx art, unmasking its queer afterlife


Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large.

With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

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Schlagwörter

Frozen Art, domesticana sensibility, Cyclona, Fire Island, Jack Vargas, Queer Aztlán, Ronnie Carrillo, Palm Springs, rasquachismo, Michael Nava, Los Angeles, Charles Lummis, Modern Objects, Jef Huereque, Ron’s Records, Beverly Center, Homeboy Beautiful, New Romantics, Chicano art movement, André Malraux, Mundos Alternos, Alex Donis, Jeff Bridges, mannequins, Arnie Araica, Ernest Batchelder, Latino AIDS memorial, archival body, iconoclasm, archive elicitation, Picasso, Gilbert Magú Lujan, AIDS quilt, Self-Help Graphics, Alma Lopez, David Hockney, window dressing, Eddie Murphy, Asco, archival space, Cathedral High School, cast culture, queer archive, Maricón Collective, Luis Jimenez, Rosa de la Montaña, institutional critique, Barrio Baroque, Ed Kienholz, para-sites, Macho Mirage, Robert Mapplethorpe, Don Bachardy, Simon Doonan, Southwest Museum, queer Chicanx avant-garde, Aby Warburg, Christopher Isherwood