Leseprobe
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God on the Big Screen
Terry Lindvall
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Geisteswissenschaften, Kunst, Musik / Theater, Ballett
Beschreibung
Links film history with church history over the past century, illuminating America’s broader relationship with religious currents over time
Moments of prayer have been represented in Hollywood movies since the silent era, appearing unexpectedly in films as diverse as Rebecca of Sunnybrook Farm, Frankenstein, Amistad, Easy Rider, Talladega Nights, and Alien 3, as well as in religiously inspired classics such as Ben-Hur and The Ten Commandments. Here, Terry Lindvall examines how films have reflected, and sometimes sought to prescribe, ideas about how one ought to pray. He surveys the landscape of those films that employ prayer in their narratives, beginning with the silent era and moving through the uplifting and inspirational movies of the Great Depression and World War II, the cynical, anti-establishment films of the 60s and 70s, and the sci-fi and fantasy blockbusters of today. Lindvall considers how the presentation of cinematic prayer varies across race, age, and gender, and places the use of prayer in film in historical context, shedding light on the religious currents at play during those time periods.
God on the Big Screen demonstrates that the way prayer is presented in film during each historical period tells us a great deal about America’s broader relationship with religion.
Kundenbewertungen
fantasy genre, civil religion, traditional prayer, horror films, race, baby boom, comic prayer, Christianity, Great Depression, Wall Street crash, popular culture, religious photoplays, sports, World War II, silent films, Mary Pickford, Vietnam War, American silent film, apocalypse, how to pray, intercessory prayer, fairy tale, Death of God movement, Cold War, Roman Catholic Church, Victorian films, D. W. Griffith, revelatory prayer, liberation theology, American dream, ironic prayer, civil rights movement, vindictive prayer, Vatican II, blasphemy, race cinema, exemplary prayer, piety in films, Cecil B. DeMille, American cinema, church history, dying prayers, postmodernism, religious films, science fiction films, televangelists, religious pretenders, film noir, Aimee Semple McPherson, Ronald Reagan, religion and film