Leseprobe
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Runaway Genres
Yogita Goyal
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Belletristik / Essays, Feuilleton, Literaturkritik, Interviews
Beschreibung
Winner, 2021 René Wellek Prize, given by the American Comparative Literature Association
Winner, 2021 Barbara Perkins and George Perkins Award, given by the International Society for the Study of Narrative
Honorable Mention, 2020 James Russell Lowell Prize, given by the Modern Language Association
Argues that the slave narrative is a new world literary genre
In Runaway Genres, Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal’s argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, Runaway Genres unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.
Goyal argues that in order to fathom forms of freedom and bondage today—from unlawful detention to sex trafficking to the refugee crisis to genocide—we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, Runaway Genres creates a new map with which to navigate contemporary black diaspora literature.
Kundenbewertungen
modern slavery, Mat Johnson, postcolonial, Paul Beatty, Ishmael Beah, memoir, African, Caryl Phillips, human rights, analogy, neo-slave narrative, Francis Bok, NoViolet Bulawayo, Frederick Douglass, blackness, human trafficking, Underground Railroad, Dave Eggers, diaspora, Colson Whitehead, Othello, Dinaw Mengestu, fiction and slavery, satire, neoliberal, Ahmadou Kourouma, Toni Morrison, sentimentalism, African American, absurd, intertextuality, Afropolitan, Global South, ventriloquism, refugees, Atlantic, affect, child soldier, black Atlantic, gothic, Susan Minot, post-blackness, war, trauma, slave narrative, immigrant, humanitarianism, Chimamanda Adichie, abolition, Chris Abani, Teju Cole