* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Stanley Kubrick
Elisa Pezzotta
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
University Press of Mississippi 
Reise / Nord- und Mittelamerika
Beschreibung
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since
2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence.
Stanley Kubrick's last six adaptations—
2001: A Space Odyssey,
A Clockwork Orange (1971),
Barry Lyndon (1975),
The Shining (1980),
Full Metal Jacket (1987), and
Eyes Wide Shut (1999)—are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.
Kundenbewertungen
Gèrard Genette, Gustav Hasford, auteur, montage, Tzvetan Todorov, Cinematic Adaptation, A Clockwork Orange, Hollywood, Vietnam, science fiction, the uncanny, Barry Lyndon, Eyes Wide Shut, diegesis, Anthony Burgess, Full Metal Jacket, art-film, labyrinth, modernist, Literary Adaptation, mise-en-scène, Michel Ciment, postmodernism, Overlook Hotel, Arthur C. Clarke, Directors, 2001: A Space Odyssey, David Bordwell, supernatural, The Shining, HAL 9000, the sublime, Sigmund Freud, symmetry, Stephen King, Steadicam, passivity