Leseprobe
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Charley Patton
Robert Sacré (Hrsg.)
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University Press of Mississippi 
Geisteswissenschaften, Kunst, Musik / Musik
Beschreibung
Blues Book of the Year
—26th Annual Living Blues Awards
Contributions by Luther Allison, John Broven, Daniel Droixhe, David Evans, William Ferris, Jim O'Neal, Mike Rowe, Robert Sacré, Arnold Shaw, and Dick Shurman
Fifty years after Charley Patton's death in 1934, a team of blues experts gathered five thousand miles from Dockery Farms at the University of Liege in Belgium to honor the life and music of the most influential artist of the Mississippi Delta blues. This volume brings together essays from that international symposium on Charley Patton and Mississippi blues traditions, influences, and comparisons. Originally published by Presses Universitaires de Liège in Belgium, this collection has been revised and updated with a new foreword by William Ferris, new images added, and some essays translated into English for the first time.
Patton's personal life and his recorded music bear witness to how he endured and prevailed in his struggle as a black man during the early twentieth century. Within this volume, that story offers hope and wonder. Organized in two parts—“Origins and Traditions” and “Comparison with Other Regional Styles and Mutual Influence”—the essays create an invaluable resource on the life and music of this early master. Written by a distinguished group of scholars, these pieces secure the legacy of Charley Patton as the fountainhead of Mississippi Delta blues.
Kundenbewertungen
Music, twentieth century, Robert Johnson, Chicago, Delta Blues, Jimmy Reed, B.B. King, Joe Kirby, Pony Blues, Magnolia Blues, John Fahey, Mississippi Boweavil Blues, Tom Rushing, I Shall Not Be Moved, Bessie Turner, Chester “Howlin’ Wolf” Burnett, Biography, Pea Vine Blues, Will Dockery, musician, David Evans, Willie Brown, Father of the Delta Blues, Hammer Blues, Lord, I’m Discouraged, Willie Johnson, Eddie James “Son” House, Jr., Henry “Son” Sims, I’m Going Home, Mean Black Moan, Muddy Waters, guitar, African American Studies, Gayle Dean Wardlow, Screamin’ and Hollerin’ the Blues